The principal aim of this digital collection is the presentation of The Birth of a Nation in the most authentic and complete form possible. This descriptive edition has chosen as its point of orientation the film in its first exhibited form, as shown at Clune's Auditorium, Los Angeles, California, on February 8, 1915. The collection does not provide the film in its totality, but provides a shot-by-shot analysis, with annotations, that establishes as accurate an appreciation as possible of the film in its earliest exhibited state. The guide that accompanies the collection is critical to understanding the information provided with each scene.
Subjects include: American Federation of Labor; Communist International; front organizations; Council of Hollywood Guilds and Unions; Screen Directors Guild; Screen Office Employees Guild; Screen Cartoonists Guild; Screen Writers Guild; Joint Anti-Fascist Refugee Committee; Hollywood Ten; FBI support of anticommunist organizations; Humphrey Bogart; Charles Chaplin; Cecil B. DeMille; Katharine Hepburn; Gary Cooper; Frank Sinatra; among other topics.
Source Institution:
New-York Historical Society Museum and Library
Extent:
49,793 images
Date Range:
1839-1851
This collection consists of 109 volumes and 1 box of records from 1838 to 1860. Volumes include minutes of annual meetings, executive committee, committee of management, and purchasing committee; register of works of art in the American Art-Union, including title of the painting submitted, the artist, price asked, cost of frame and whether or not a picture was purchased or rejected; letters addressed to the American Art-Union, including many from agents around the country, and pertaining to the sale of subscriptions; letters from artists to the American Art-Union with index; letterpress books containing copies of letters sent by the American Art-Union; and newspaper clippings.
This collection presents the Federal Writers' Project (FWP) publications of all 47 states involved in the project, which ran from 1933 to 1943. Forming the most complete collection of publications from all participating states, this archive contains more than 450 individual items, many of which are typed or mimeographed and received only limited circulation. The FWP was a part of "Federal One," the arts project established by the WPA to cover music, theater, art and writers. The WPA recognized that steelworkers, bricklayers, share-croppers, and factory workers were not the only section of the economy hit by the Depression. Academics, post-graduate students, journalists, playwrights and novelists were also unemployed. In five years the WPA spent millions, provided literary training and, more significantly, the opportunity for participants to observe, eat and write.